Bois Forte Heritage Center

Visited on: Wednesday, August 14, 2024
The image shows a wall with a circular sign resembling a turtle on it. The circle is black with pink edging and features flowers. The word "ATISOKANIGAMIC" is written inside. Below the turtle design, "LEGEND HOUSE" is inscribed on the wall. Yellow and green plants are visible beneath.

The Bois Forte Ojibwe (or Zagaakwaandagowininiwag, meaning “People of the Thickly Wooded Place”) are an Ojibwe (Anishinaabe) people whose homeland is in present-day northern Minnesota. Their story is one of resilience, survival, and adaptation in the face of changing landscapes, treaties, and external pressures.

The Bois Forte Ojibwe are part of the larger Anishinaabe migration that took place over centuries, originating from the East Coast and moving inland to the Great Lakes region. Their ancestors followed the prophecy of the Seven Fires, which guided them westward in search of the land where “food grows on water”—a reference to wild rice (manoomin), a staple of their diet and culture.

Mural depicting Native Americans in canoes on a lake shore. A large fish is seen jumping out of the water against a sky with clouds and birds. The mural is surrounded by display panels, and a birchbark canoe is mounted in front. An educational sign is in the foreground.
The image shows an informational plaque titled "Wiigwaasi Jiimaan: Ojibwe Birchbark Canoe," featuring text and historical photographs. It is framed in wood and placed on a wooden bench. The background includes traditional birchbark canoe elements.

The museum contains interesting artifacts, including traditional dress, a canoe and a birch bark hut.

A museum exhibit features a small, dome-shaped hut constructed from bark and wood strips, showcasing traditional building techniques. To the right, an informational panel offers context and details about the structure and its cultural significance. The surrounding area has more exhibits.
A museum display case features two decorated dresses. The dress on the left is black with red and yellow patterns. The dress on the right is teal with white floral designs. Below, moccasins are displayed. Informational plaques and photos are at the bottom of the case.
A typed document titled "Jingle Dress Then and Now." It explains the origin of the jingle dress, starting with a girl who was healed by dancing in it, including parents' role in its creation. Dresses are known as Medicine or Healing dresses, often blessed before entering a Pow-wow.
Display case with a traditional regalia featuring a fringed vest, apron, and moccasins, all adorned with colorful floral beadwork. The backdrop is softly illuminated, and a descriptive plaque is visible below the items.
Display of a Native American dress adorned with fringe and American flag patterns in a glass case. Beside the dress is a pair of beaded moccasins. A plaque with text is visible below the dress. The background shows a carpeted room and large windows.
A Native American headdress with a circular arrangement of dark feathers topped with yellow tips, centered by a red and white pattern with an American flag design. It is displayed in a glass case with a red velvet base, accompanied by an informational plaque.
A vibrant embroidery piece on a black fabric square, featuring colorful floral designs. Red and orange flowers with green leaves, and blue teardrop motifs create an intricate pattern. The square is bordered and set against a dark background with other fabric pieces partly visible.
A traditional wooden baby cradleboard displayed in a museum exhibit. The cradleboard is adorned with a colorful woven cover featuring floral and geometric patterns in red, blue, yellow, and green. It is positioned against a neutral brown backdrop in a glass case.
A printed text titled "Tikinaagan (Cradle Board)" describes cradle boards used by indigenous people. It explains their sturdy design from ash or cedar, baby's security when laced in, and added protection for the baby's head with tumbline or burden straps.

Like all native American tribes, the Bois Forte Ojibwe were subjected to having their children shipped off to boarding school.

Museum exhibit featuring a small house with white siding and a window. Inside, there's a black-and-white cutout of two children. Informational panels are displayed nearby on the exterior wall, including one titled "Assimilation." The floor is wooden, and the room is well lit.
The image features a poem titled "Grandmother at Indian School" by Linda LeGarde Grover, displayed over a sepia-toned background with scattered autumn leaves. An inset shows a young girl in traditional attire, labeled from a 1946 Native school. Quotes about boarding school experiences accompany the poem.
Poster titled "Assimilation: Teaching Indians European Lifestyles" with historical photos of Native American children in schools. The background is dark with floral patterns on the right. Text discusses the impact of assimilation policies. Small portraits are scattered around the design.
A display panel titled "Family is Everything" showcases Bois Forte culture, featuring text about family traditions and community, framed by a border of traditional beadwork. It includes five black-and-white photos of family scenes and a birch bark element decoratively on the left side.
Exhibit with translucent panels featuring text and illustrations. Central red and blue panel reads, "Everything I do is a Prayer." Adjacent panels display quotes about spirituality and prayer alongside images of figures in contemplative poses, set against a dimly lit interior.
Dive Into More of Shea's Related Content
From: Minnesota
Filed Under: Museum Maniac
Journal Entry Tags:
Cool SignsNative Americans